INTRODUCTION
When students read or write a short story or a novel. They need to the ability of
interpretation; they create a text which has their own world. Thus, this material is for their
interpretative text as well as applying to their reading strategies of the original text.
To develop your understanding a text, you need to have strategies for reading and
interpretation.
Some stories in this course may be easy to read, others may be hard. Some will immediately
provoke a reaction; others will take more thought and discussion. This course is designed to
help you develop effective strategies for reading a literary work.
Objective:
Literature is the art of writing, it requires the creative readers with effective strategies for
reading and interpreting and analyzing. Students leaning literature are expected to express
their comprehension though literary analysis and interpretation. This material aims to secondyear students with a general knowledge about basic techniques for literary comprehension
related to four skill interactions.
What is literature?
“When I read great literature, great drama, speeches, or sermons, I feel that the human mind
has not achieved anything greater than the ability to share feelings and thoughts through
language.”
- James Earl Jones
Literature is a term used to describe written or spoken material. Broadly speaking,
“literature” is used to describe anything from creative writing to more technical or scientific
works, but the term is most commonly used to refer to works of the creative imagination,
including works of poetry, drama, fiction, and nonfiction.
Why do we read literature?
Literature represents a language or a people: culture and tradition. But, literature is more
important than just a historical or cultural artifact. Literature introduces us to new worlds of
experience. We learn about books and literature; we enjoy the comedies and the tragedies of
poems, stories, and plays; and we may even grow and evolve through our literary journey
with books.Ultimately, we may discover meaning in literature by looking at what the author7
says and how he/she says it. We may interpret the author’s message. In academic circles, this
decoding of the text is often carried out through the use of literary theory, using a
mythological, sociological, psychological, historical, or other approach.
Whatever critical paradigm we use to discuss and analyze literature, there is still an artistic
quality to the works. Literature is important to us because it speaks to us, it is universal, and
it affects us. Even when it is ugly, literature is beautiful.
This course Introduction to literature is designed for third year student majoring in English
of Literature and Linguistics Faculty at Tay Do University. It is expected that all the teachers
feel free to select texts that are suitable for their teaching situation, reject other and
supplement when necessary.
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kitchen burnt
until mid-night as she sat up to make the cakes for the wedding. As I watched, I suddenly got
angry with her: - Don’t care about them. Go to sleep. - When you get married, I’ll sit up the
whole night. “I don’t want your help. Why do they want to put more work on your shoulders
when you already work so hard? - Just to keep my head free of thoughts, you know.
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She smiled aimlessly, and then got down to business. Knowing there was nothing I could say,
I sat down to help her and finish the work sooner. She worked as carefully with the preserved
vegetables as in the past. I suddenly noticed that the leaves carved out of papaya were shaped
like teardrops, and looked as though they were jade. And the carrot flowers turned into
blood-red drops. Chi Thoi was crying.
1. Chi stands for elder sister in Vietnamese.
Translated by Manh Chuong
Discussion questions:
1) What is the setting of the story?
2) What are the protagonist and the antagonist of the story?
3) What is the climax of the story?
4) Is the main conflict in the story resolved?
5) What is the main theme of the story?
Task: Give your own point of view about “chi Thoi”, is she miserable? Why? (write about
150 words)
ENCHANTING MOMENT
By Cao Tien Le
I was startled when I heard the name of Kim Oanh announced as one of the artists
performing today. It had been quite a long time, about 15 years or so, since I’d met her last.
But I had frequently seen and heard her sing on television, in particular in performances
during national holidays. She seemed to be leading a happy life, having a great time with
name and fame.
And I, I was like an insect, an ant or a bee which has to face up to a biting winter no sooner
than it comes out of a burning summer. I am a cadre in an office whose leaders are regarded
as a source of strategic strength for the Party and the State. These leaders are used to opening
their arms wide to talk with the world and with the Party Central Committee, but they seem
not even to worry about a shortage of electric lighting, and all year round residents have to
carry water from the public taps. These hardships are but a trifling matter for these leaders,
and never do they mind it. So I have to bend my back double to support my small family, and
can afford no time to visit her. On the other hand, if I do meet her, I am sure to have nothing
to talk about. Also, I am of the view that my time is better spent to support the weak, not the
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strong. I do come to the aid of friends in difficulties and have always tried to find ways to
help in any small way that I can, but I would never approach those enjoying good fortune in
the hope of receiving some assistance.
Of course, Kim Oanh and I have never talked of anything, or harboured any attitude,
however momentary, intentional or otherwise, that could offend each other.
I remember meeting her when she’d just left the music school. As I looked with admiration at
the epaulets on her jacket lapels that ranked her as a junior lieutenant, she surprised me by
confiding that she had a new man in her life. After graduating from the Polytechnic
University, her sweetheart found a job immediately as an engineer in the army, yet his talent
drew him to literature and art. His poems, prose and even music made the Truong Son Range
much greener at a time when the area was being subjected to relentless firing from the air.
And her singing voice was like an expansive carpet of happiness that invited encouraged
listeners audience to step on it, or encouraging them to up the hills and down the valleys,
weathering all storms, treating death as lightly as a feather, and marching joyously to the
battlefront. But the roots of love do not stem from individual success. They were mistaken.
Before they had enough time with each other to have a child, they were preparing to bid each
other farewell, not able to see beyond their respective egos. Both of them expected to take the
other for granted, a part of his or her body, an object that he or she owned that, once placed
in the drawer, should lie motionless and intact until it was picked up again, no matter how
much time it took.
After the divorce, Kim Oanh told me: “I feel a sense of relief, you know. As if I have just
escaped danger. Fortunately, I am still young. There is nothing to tie us together.” She sang a
little bit, smiling, and walked away as if everything in the world was beautiful, like a song.
Two years later, her voice had become perfect. It could be heard often on radio and television
and in live music program. It was as though she could, if she wished, stir up a storm in the
hearts of the audience, not just in her own and neighbouring countries, but also further afield.
They called her the harbinger of peace, of love and of happiness. When we met at this stage
in her life, she said: “I don’t need a man with talent or of great intellect anymore. I’ll marry a
very normal man.” I sighed, but remained silent. I might be a close friend, but it is difficult to
offer any advice, particularly to those who are great and famous, and who are more used to
giving orders than to listening. She did it. Married a musician, a very normal man who knew
his place was in the sidelines and was comfortable with having a very talented wife. She
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married a man with whom there was no need to quarrel about anything. He was a soldier
obeying his commander’s orders. Now she could perform at will, and was free to travel to her
heart’s content. On her numerous trips abroad, she brought home both spiritual and material
wealth. He built a three-storied house, constantly changing its interiors to suit current trends.
However, family happiness cannot be created or confined within walls of modern homes. A
larger house can allow stronger winds to blow through and create greater distances between
friends. As the days, nights, weeks and months passed, he tried to escape from his loneliness
by turning to alcohol and cigarettes, and going out with an assortment of friends to one bar
and restaurant after the other. It did not really work, and his drinking increased steadily.
Soon, he was not only addicted to alcohol and cigarettes, but also to the hands massaged him
and provided other services as well. Many times, he’d had his arms around a bevy of women
as he watched his wife singing on television. And she’d forgotten that she had a husband in
the true sense of the word.
After many happy, but tiring trips, she would arrive at home, clothes drenched with sweat.
She would wipe away a thick layer of make-up from a face that had already been touched
with crow’s feet. She’d give him all the money, and after proffering a few words of advice,
would go up to the bedroom and sleep soundly, reassured. And off on another trip. It got to a
stage where he did not want her to be home so that he could go out and lose himself in soft
voices and hands that would caress him. And he kept spending the money she’d given him.
Not only did he spend all the money, he also began pile up debts as he plunged deeper into
addiction, until one day, he forgot his way home.
I went into a small room, about ten square metres, where an artist could relax before stepping
on to the stage. She was sitting with her chin cupped in her hands, staring absent-mindedly at
the space filled with noises of a city racing into nothingness. She was wearing a very thin
dress, her face was wonderfully made up, highlighting two bright eyes and rosy cheeks,
making me wonder that she’d not changed in fifteen years, and had even become more
beautiful and elegant.
In a moment, we were transported to our past. “You, oh, God, it’s such long a time. How
many years, do you remember? I’d forgotten you!” smiled at her sincerity. She pulled me
down on the seat opposite her. Looking closely at my face, she chattered: “You’ve got grey
hair? Great! I thought there would be nothing in this world that could make your hair grey.
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You live like a model. You love your friends, you love your wife and children. You have
devoted yourself totally to your family and office. Wow!” And she joyfully started singing a
parody of ca tru (a folk song): The hair is different, but the heart remains unchanged... Then
abruptly, she stopped and announced: “I’m going to go to the court to get a divorce.” She
told me about the men in her life, livid with resentment: “All of them are ill-bred. Some are
thirsty for talent, others for wealth. I cannot bear it. Its high time that I lived alone. Oh, God!
Why am I so miserable!” I found it painful. I felt sorry not just for her, but for a whole
generation which was closely bound to certain roots. Suddenly a song that my neighbour
often sang came to mind. I’d always found it depressing, but it matched the mood this time.
... If you come back to the old place.
The streets have now changed a lot
I pity you for half your life’s in ruin
I pity myself for a whole lifetime in exile...
She was very sensitive. As if she’d read my mind, her lament subsided quickly like a summer
rainstorm. She took my shoulders, looked into my eyes and rubbed her head against my
forehead. Then she stood up and continued singing gently the part I’d just remembered.
...So remote is that hopeless place
Missing you has made my hair grey
“Yes, it’s my turn to sing now!” - She walked out.
I remained sitting in the room, wondering how she could sing when so many emotions were
surging through her: sadness, hatred, confusion. She hated not just one man, but all men. And
people said that man occupies half of a woman’s life. And others even claimed that women is
only a broken fragment of man!
It had been a long time since I’d had the opportunity to listen to her singing live, and I had
been waiting for that day. But now I did not want to listen to her. I was afraid that she could
fail on the stage, afraid that I would hear only a scattering of applause. I decided to sit in the
room for sometime and leave through the rear entrance. But when she walked on to the stage
and bowed, the applause was loud and long. She began singing. I heard it as if it was coming
from the air, from space, from the old days, from our childhood, echoing the pledges, vows
and rows that pulled us near and pushed us away, leaving us looking for that which was
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pushing us far away, that was pulling us near, forcing us to plunge into the sea to look for a
needle. She was singing... no, she was not singing. She was giving herself up to the passion
of love.
Plenty of oil, but nobody to light up
Plenty of corncobs, but nobody to roast
Plenty of coal, but nobody to fan a flame
Plenty of money, but nobody to spend it...”
Vi dam! (An amorous duet) She was singing vi dam. Vi dam had always tied me up. I went
out. She was beautiful and brilliant. Her eyes were so tender and fresh, like the Lam river in
the morning. They seemed to hypnotise the people. They flashed questions that had all men,
me included, bend their heads guilt for betraying their love, begging to be forgiven and to
come together again... As she finished, the applause was deafening. People rushed on the
stage with bouquets of flowers and compliments. Tears welled up in her eyes and rolled
down her cheeks...
I walked slowly down Quan Su street back to my house. One question was burning within:
How could she sing so beautifully despite her broken heart, her resentment, her hatred? Just
then, she caught up with me on her motorcycle. “Please, let’s go and have a drink. I’m so
thirsty!”“Sure, I also want to ask you a question.” We sat in a cafe. She ordered two cups of
iced coffee, and stirred her glass to make the ice melt quickly. Her face showed that the joy
in her heart was melting at a much faster pace... “I’m sorry, my question is a little bit trite,
but I have to ask. How could you sing so beautifully when you’re so angry, so full of hatred
against men?”
She shook her head. “Don’t think I am being deceitful or flattering when I say this. I did feel
that I sang very well this evening. But I was able to do it because I met you. Don’t laugh!
Don’t be so hasty in pouring scorn on me. I am telling you this from the bottom of my heart.
When I met you, someone who I’d not thought of all these years, I returned to the days of our
youth. We were very poor, but our life was afire with enthusiasm and passion, rich in trust.
The flame had been lit inside me when I walked on the stage... I was not singing, I was
letting my emotions pour out...”
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She went on and on. I cannot remember all of it, but I realised that when she’d walked on to
the stage today, there was a moment of enchantment that only a genuine artist can catch.
Translated by Manh Chuong
Discussion questions:
1) What is the setting of the story?
2) What are the protagonist and the antagonist of the story?
3) What is the climax of the story?
4) Is the main conflict in the story resolved?
5) What is the main theme of the story?
Task: Give your own point of view about the singer, is she miserable? Why does “the I
character keep on thinking of her for many years? (write about 150 words)
A THIEF
By Nguyen Minh Chau
The outstanding feature of women in the quarter is the habit of shouting. Whatever the
emotion - anger, fear or joy - all find expression in high decibels.
That afternoon, in my four-storey block, the residents were just returning from work. Some
women were inserting keys into their door locks, some were preparing dinner, some were
about to go to the kindergarten to take their children home.
Suddenly a scream pierced the air from the second floor.
“Look, Thoan has died!”
“Who died?” Many women repeatedly.
“Thoan.”
“Who’s Thoan?”
“Thoan of my husband’s unit who just returned home, that Thoan, no other!”
“Oh, God! Help!”
Half an hour later, outside the rooms of the living quarter, down at the public water tap, on
the landings, a full-throated noise of sympathy and grief resounded, punctuated by
exclamations calling for divine intervention.
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During dinner that night, nobody ate with good appetite. Some women, having helped their
children finish dinner, felt so sad about poor Thoan that they cleared the tables without being
able to eat anything.
Oh, God, just a short time ago, not more than a month, she was still here, living with her
colleagues and other residents in living quarter.
Big, tall, rice crust munching, graceful, cordial, tasteless, lazy Thoan who liked singing and
sang well. Only 24 years old, and she was dead, buried in the ground. It just could not be
true. Nobody could believe it.
“You see,” a woman in a uniform cotton jacket who abandoned her dinner was telling, in no
hushed whisper, a woman in a blue woollen pullover, “if she had stayed for another month,
giving birth safely, and left later, everything would have been all right!”
“She was big and strong, who could imagine that she would die?”
Tears welled up in the eyes of the third woman, plastic bucket in hand, joining the other two
on the way down from the room upstairs.
“How terrible! Was it haemorrhage?”
“Yes, haemorrhage!” The woman in uniform cotton jacket said.
“Why didn’t they staunch the blood?”
“In the countryside, you see.” The woman in the blue woollen pullover sniffed. “If she were
in our hands in the city hospital, one would need only minutes to staunch the blood. But it
was in the countryside, up in a remote area, from her house to the district’s hospital on a
stretcher, it is ten kilometres. To the commune’s medical station, it is about five kilometres.”
Another group of women by the public water tap were also recovering from the shock of her
death, with the same regrets, the same commiseration for a woman who died during her first
childbirth.
“What about the baby?” Asked a curly-haired woman washing a heap of clothes and baby
nappies.
“The baby is alive.”
“How unlucky the baby is!”
“Who is nursing it now?”
“Thoan’s mother.”
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“Is the baby a boy a girl?”
“A girl.”
“Has Khanh been informed about it or not?”
“He has just been informed. A message just came at 5pm today! How terrible for Khanh! He
had just carried on the bicycle two baskets of pumpkins from the shop, and drenched in
sweat, he stood by the building’s steps, nervously tearing the envelope, and having read the
message, he rode the bicycle straight to the bus station. The logistics men then came to
report to the commanders. When I arrived there, the unit’s car was just starting out of the
gate. Mr. Quan was climbing into the car, buttoning up his shirt, sitting by driver Hai. I
don’t think the two men had any dinner.”
“Maybe they would arrive up there at about 9 o’clock?”
“But Khanh should have gone with them, how else would Mr Quan and driver Hai know the
way?”
The sighs, the commiseration, the tears. All these were not reserved for the ill-fated Thoan,
but also for the newborn baby, and for her husband Khanh, the manager of the kitchen of the
unit.
The compassion of these women was becoming increasingly intense, multiplying, in the
same way it had only a few months ago. These same women the one in the uniform cotton
jacket, the blue woollen pullover with plastic bucket and others had been intense and
vociferous in their indignation: “Why haven’t you thrown her out immediately! Why didn’t
Mr Quan send Thoan back to her home village? Why the hell did he let her stay here for
another day, another hour? What for?”
One woman had lost a two-metre piece of cloth after she had hung it up to dry in her garden.
Surprising, it was found in Thoan’s trunk after a couple of weeks. With this discovery,
people found the culprit for everything that had been lost for a long time. They were so
indignant, so exultant, so satisfied!
It was totally forgotten that Thoan had often picked up things dropped on the way and
returned them to their owners.
And fingers were pointed at hapless Thoan not just for things lost in the past, but also for
things that disappeared after the incident of the two-metre cloth.
“Oh, it is sure to be that Thoan again, nobody else!”
“If you want to dry any thing, please dry it inside your house!”
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“You think that if you dry it inside your house, she cannot steal it?”
“Thoan just went in here, didn’t she? What the hells is she doing in here? Now check
everything to see if anything is stolen?”
Throughout this persecution, Thoan went about singing in her lovely voice, carefree, lazily
munching rice crusts, as she worked insipidly in the unit’s kitchen.
Not exactly the right attitude for a repentant thief, as far as the other women were concerned.
In late November, there was a cutting down of staff. The personnel department of the unit
that was considering the merits of temporarily recruited Thoan decided to relieve her of her
duties as the contract had already expired. Kitchen manager Khanh, Thoan’s husband, was
not very happy with the decision, but only requested that she be permitted to stay in the
hospital for a short time until she gave birth, then she and her baby would return to her home
village. Sometimes people are naturally cruel.
The women in the quarter could not bear to have Thoan stay back.
“Then when we all go to work, she is alone at home, she would feel free to steal!”
“That Quan is not aware of the situation at all! What’s his use in keeping her, keeping that
precious thing!”
Unfortunately for all of us, just as the women were raising a hue and cry about Thoan staying
back, another two metres of black silk cloth was stolen on a Sunday in broad daylight.
The person who lost it lost no time in checking her room while the suspect was away. But the
wooden trunk only turned out nappies for the coming baby. “She might have hidden it in
another place.”
“There is no doubt about it! She is not stupid enough to hide it again in that trunk!”“Eh,
ladies, Thoan is really lazy, but she is surely not a dishonest person!”
“Stealing is not dishonest? How dare you take her side!”
“She loves her child, she wants to give her baby a piece of beautiful cloth, so she is not clear-
minded enough!”
“So you think I do not love my child? But should I then go and steal something?”
“How sad that Khanh has such a lazy and dishonest wife!”
“When he intended to marry Thoan, I had advised him not to, but he did not listen to me!”
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“I also told him that he could marry anyone but that woman. And the result is as you can see,
is debt, not a wife!”
“And it is not only Khanh’s own debt, if that woman will stay one more day, we all here will
have to keep an eye on her one more day, we will have to protect ourselves, we will have to
be miserable because of her!”
“You, ladies, I agreed with you that she is a dishonest person, but they have become a
couple, and they are going to have a baby, so we had better not say anything like that!”
“Ah, you want to protect her, do you? Why do you protect her so strongly?”
“She will give birth to a child like we have done.”
“Let her rely on our help, let her give birth safe and sound first!”
“But if she steals something from me tomorrow, will you pay for that?”
“I will go to work tomorrow, will you stay at home and keep an eye on my house?”
“ What a man Mr. Quan is! He still lets her stay, what’s the use? Oh, God, why do we have
to let her continue to steal things in this quarter!”
Khanh was burning with shame. He could let her stay for only a few days more. He could not
bear hearing these women talking incessantly about his wife in this manner. In the middle of
the week, he decided to take his wife back to the village and have her give birth to their child
there.
One week later, all the women cried in chorus, when it was discovered that the wind had
blown the black cloth away to a sweet potato garden behind the building. Somebody who
went to dig the potatoes found it there.
The women still remember very well that morning, a cold morning, as she followed her
husband to the car station, Thoan was carrying only a jute hand basket with a new conical hat
placed upon her pregnant belly. She came to say goodbye to every house, with that same
simple, cordial attitude of a care free person. All the women took her hands into their own,
asking her to stay, the longer the better, and all of them said:
“You now, return to that remote area, sooner or later this quarter will become empty without
joy! We’ll miss you very much!”
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All the women seemed unwilling to take leave of her at the parting time.
I think it would be unfair to say that the women in my quarter were showing a false
attachment to Thoan. They are simple, easily moved, and true to their fickle emotions.
Translated by Manh Chuong
Discussion questions:
1) What is the setting of the story?
2) What are the protagonist and the antagonist of the story?
3) What is the climax of the story?
4) Is the main conflict in the story resolved?
5) What is the main theme of the story?
Task: Give your own point of view about Thoan, why is she died? (write about 150 words)
DEATH WISH
By Lawrence Block
he cop saw the car stop on the bridge but didn’t think too much about it. People often
stopped their cars on the bridge late at night, when there was not much traffic. The bridge
was over the deep river that cut the city neatly in two, and the center of the bridge provided
the best view of the city.
Suicides liked the bridge, too. The cop didn’t think of that until he saw the man get out of the
car, walk slowly, along the footpath at the edge, and put a hand on the rail. There was
something about that lonely figure, something about the grayness of the night, the fog
coming off the river. The cop looked at him and swore, and wondered if he could get to him
in time.
He didn’t want to shout or blow his whistle because he knew what shock or surprise could
do to a probable suicide. Then the man lit a cigarette, and the cop knows he had time. They
always smoked all of that last cigarette before they went over the edge.
T
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When the cop was within ten yards of him, the man turned, gave a slight jump, then nodded
as if accepting that the moment he passed. He appears to be in his middle thirties, tall with a
long narrow face and thick black eyebrows.
“Looking at the city” said the cop. “I saw you here, and thought I’d come and talk with you.
It can get lonely at this hour of the night.’ He patted his pockets, pretending to look for his
cigarettes and not finding them. ‘Got a spare cigarette on you?’ he asked.
The man gave him a cigarette and lit it for him. The cop thanked the man and looked out at
the city.
’Look pretty from here,’ he said. ‘Makes a man feel at peace with himself.’
‘It hasn’t had that effect on me,’ the man said. ‘I was just thinking about the ways a man
could find peace for himself.’
‘Things usually get better sooner of later, even
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